Host, The (2013) [Blu-ray]
Action | Adventure | Romance | Sci-Fi | Thriller

From Stephenie Meyer, the creator of the worldwide phenomenon The Twilight Saga, comes this daring and romantic thriller based on The New York Times #1 bestselling novel. When an unseen enemy threatens mankind by taking over humans' bodies and erasing their minds, Melanie Stryder (Saoirse Ronan) risks everything to protect the people she cares about most, proving that love can conquer all in a dangerous new world. The Host is a passionate and powerful epic love story co-starring Diane Kruger, Jake Abel, Frances Fisher, Max Irons and William Hurt.

Storyline: A race of aliens who are non corporeal go from planet to planet looking for hosts. They come to Earth and basically take over human bodies. Now it's believed that once they take over a body all memories of the previous inhabitant are gone. And there are some humans who have remain hidden from them and are basically a resistance movement. So an alien charged with locating them known as the Seeker captures one of them a girl named Melanie and puts one of them who is known as Wanderer in her body, in hopes of finding out where the humans are. But Melanie for some reason is still there and she convinces Wanderer not to say anything to Seeker. Wanderer feels empathy for the humans. When Seeker is disappointed at her lack of progress, she informs Wanderer that she'll be removed and placed in a new host and she will be placed in Melanie. Melanie knowing she can't convince her the way she convinced Wanderer convinces Wsnderer to run away and they can meet with the humans. Eventually they find... Written by rcs0411@yahoo.com

Reviewer's Note: Reviewed by Kenneth Brown on July 5, 2013 -- With Hollywood scrambling to anoint Twilight's spiritual successor long before the final film in the mega-franchise ever hit theaters, it was inevitable that someone would scoop up Stephenie Meyers' "The Host," a novel feverishly penned as the author put finishing touches on "Eclipse." It was also inevitable that whoever snatched the rights to the book wouldn't much care whether or not it was any good. The Host isn't about to inherit the Twilight mantle, or any other mantle for that matter. Vapid and listless, the pouty genre vamp drains Invasion of the Body Snatchers of its lifeblood, leaving nothing but the dry, hollow husk of what might have once been a high concept sci-fi thriller. The story? Joyless and indescribably generic. The dialogue? Taxing and tiresome. The performances? Dead on arrival. The pacing? Slow and onerous. The visuals? Shiny and... shiny. If there's any redeeming value here it's that young Saoirse Ronan is still getting work, although that may come to a tragic end if she continues to sign up for preening drivel like The Host.

Meyers other Anglo-Angst Romance introduces yet another tense teen love triangle, set amidst yet another war between two enemy species. This time, though, the war is between a small, dwindling human remnant and the Souls, the laughably named space parasites that invaded Earth years ago and systematically began inhabiting human hosts. The quote-unquote invasion is just as ludicrous, as the Souls are as fragile in their natural state as a premature kitten swaddled in a moistened Kleenex. How the first Soul took over the first Host is better left to the imagination as it defies what little credibility the film's premise holds.

But human host Melanie Stryder (Ronan) is different. She struggles to retain prominence and even control after she's implanted with a Soul named, I kid you not, Wanderer. This of course doesn't sit well with the villainous Soul queen... erm, the sinister Soul Seeker (Diane Kruger), whose sole task is to hunt down remaining humans and turn them into Hosts. Oh, it gets better. Upon escaping from the Seeker's clutches, Melanie/Wanderer -- soon nicknamed Wanda (Ronan arguing with a disembodied Ronan voiceover) -- seeks asylum with some of these very same humans, a cadre of sorta-survivalists holed up in the middle of the desert, nestled in a secret base of operations hidden deep within a sprawling cavern. The group also just so happens to include Melanie's boyfriend Jared (Max Irons), brother Jamie (Chandler Canterbury) and uncle Jeb (William Hurt).

After gaining trust following a whole week of imprisonment at the human compound, Wanda inadvertently begins working her womanly wiles. Jared still has feelings for Melanie, while boy-toy Ian O'Shea (Jake Abel) develops a thing for Wanderer. It's a love triangle turned love quadrilateral, but with three bodies, four minds and one conflicted Soul. Cause, you know, when aliens invade, and you capture one, falling in love with it is a forgone conclusion. Meyers, it seems, is really, really, really intrigued by cross-species relationships, which raises more than a few questions, none though as pressing as those raised by the film's endless plot holes and contrivances. Blown leisurely on the wind from one sleepy set piece to the next, The Host doesn't offer any anchor points whatsoever, nor anyone worth attaching to. The humans don't behave as if they're actually locked in a do-or-die invasion scenario, and the contradiction between the Souls' aggression and tranquility isn't adequately explored or addressed.

Worse, the intertwined fates of mankind and the Souls are never in doubt. Even when Wanda and her strapping young pals stumble upon a humane hands-on solution to the Soul infestation (no shock there, much less a spoiler), the daunting reality that millions upon millions of remaining Souls need to be dealt with doesn't exactly bother anyone. Are we really to believe a van full of scruffy nobodies are going to usher in salvation? Removing and relocating every Soul on Earth? One by one? Or is their little corner of the planet good enough? Or are they counting on the quasi-passivity of the Souls a bit too much? Or the rise of a movement? It doesn't take long to realize Meyers and writer/director Andrew Niccol's endgame isn't an endgame at all, or a cliffhanger, or a promise, or a launch point... or an ending. The Host stops mid-stride, new cast members and all, to be resolved in sequels that, based on the film's meager box office take, aren't about to be green-lit anytime soon.

Niccol is also either completely hemmed in by the original book or completely oblivious to its failings. The Truman Show screenwriter was already a hit or miss filmmaker, hitting with Gattaca in 1997 and Lord of War in 2005, missing with S1m0ne in 2002, and firing a bit too wide with In Time in 2011. The Host, however, is in an entirely different league of awful, presenting the Melanie/Wanderer interplay as if Meyers had universally unlocked the secret to the torn hearts and uncertain minds of every conflicted teenage girl on the planet. All well and good, except truth is tough to find in The Host, as much on screen as on the page. Next to nothing rings true -- not the characters, their actions, motivations or desires -- and very little of the book or adaptation brushes the truth behind teen identity issues or body image insecurities. The story and its themes suffer from arrested development, as does Melanie and her fellow adolescents, and the third act is as unfulfilling as the buildup. The Host is as lifeless as it is brain dead, flatlining at the outset without any hope of resuscitation.

The Host would be best served if Meyers and Niccol were removed completely and replaced with a stronger storyteller and more daring screenwriter and director. As is, the film quite ironically lacks soul, or anything else notably human for that matter. It's a cold, joyless, out-of-body romance thriller with little to no intrigue or hook... other than Meyers' name, which will only draw the sort of crowd that isn't usually interested in things like sci-fi body snatching. Fortunately, Universal's AV presentation offers a strong showing. Those who decide to ignore the warnings and give The Host a spin will at least enjoy the AVC-encoded sights and lossless sounds.

[CSW] -2.4- Don't be fooled me into thinking that this movie is primarily about aliens taking over your body. It is a primarily a chick-flick so be prepared for endless dilemmas regarding when it's appropriate for an alien to kiss one boy versus another. The director Niccol, as well as the main protagonist Saoirse Ronan as Wanda / Melanie did a fairly good job with the sci-fi flare that this story required. I also thought the main antagonist Diane Kruger as The Seeker / Lacey was also almost good as another conflicted alien. Although I found this movie to be a little over the top and a bit trite, cliché, silly, and longwinded, it didn't actually get boring. Although this is really a romance story with a little sci-fi thrown in this once-is-enough movie may be worth a rental.
[V4.5-A4.5] MPEG-4 AVC - No D-Box.


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